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There’s a reasonable level of credibility from the context in which the action is to take place. The consistent virtue of the original stories and, to some extent, these modern recreations, is that they are rooted in their own times. It’s at this point the story stepped off the path followed in all the previous updatings of past works by Arthur Conan Doyle. Using this, the couple drive into the secret research base and bluff their way into a quick guided tour where they meet Dr Stapleton ( Amelia Bullmore) and Dr Frankland ( Clive Mantle). It then turns out that Sherlock has borrowed the go-anywhere swipe card belonging to Mycroft ( Mark Gatiss). Neither seem particularly put out by having to share a room so it’s official. Our heroes book into a pub run by a gay couple and, of course, are themselves assumed to be gay. And, of course, before you can say anything to stop them, Sherlock and John Watson ( Martin Freeman) have jumped into a train taking them into the deep south-west. Naturally, he remembers a “hound” killed his father. Now he’s affected by dreams and a therapist is trying to help him remember what actually happened. He’s recently featured in a television documentary which retells his horrific experience as a small boy when his father disappeared. This curious message is closely followed by the arrival of Henry Knight ( Russell Tovey) who looks the same colour throughout. So where are we with this story? Well, it all starts when Sherlock ( Benedict Cumberbatch) gets this email from a young lady who reports that her bunny glowed green in the dark and then disappeared. Martin Freeman and Benedict Cumberbatch avoiding the Mire It was never like this when I went walking across Dartmoor as a young’un.
#SHERLOCK SEASON 2 EPISODE 2 FULL PLUS#
So goodbye Great Grimpen Mire which can suck a body down into oblivion, and welcome to a fantasy version of England in which we have live mines plus an entire area kitted out with pressure switches that will release all kinds of interesting stuff in aerosol form. Yes, that’s right! It’s so damn secret that anyone trying to sneak up on it from the rear (or side, for that matter), should be blown to bits in one of those explosions so beloved of the SFX people who work for the BBC. You know it’s a secret base that no-one should ever go near because a part of the off-road approach is protected by a mine field.
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This time around, we’ve lost the spooky old manorial hall, home of the Baskerville family, and we’ve substituted a “secret” military base where potentially dangerous research is being undertaken (in secret). Well, I know what I think of this episode which as the title suggests, Sherlock: The Hounds of Baskerville (2012), is an adaptation/modernisation of the novel by Arthur Conan Doyle, but I’ll delay announcing the conclusion a little.